Power Suits and Cowboy Boots
If you’ve been glued to your screen watching Landman, then you already know it’s not just about oil rigs and power plays. There’s a whole other story happening silently in the seams, buttons, and fabric folds—the costume design. In fact, the clothes do a lot more than just dress the characters. They talk. Loudly.
So let’s saddle up and stroll through the stylish, gritty, and sometimes wildly bold wardrobe choices in Landman. Because behind every hat, heel, and hemline is a character’s secret weapon—or warning shot.
When Armani Meets Wrangler: The Battle of Style and Status
At the core of Landman is a cultural clash. We’re not just talking about rich versus poor or city versus country. No, it’s deeper—and it plays out in the threads. Think Monty Miller’s high-end suits squaring off against Tommy Norris’s beat-up jeans and boots. It’s tailor versus tradesman.
Monty Miller (Jon Hamm)
- Crisp button-downs, bold ties, and sharp lapels.
- Always polished, never flustered.
- Every piece screams control, success, and a slightly ruthless edge.
Tommy Norris (Billy Bob Thornton)
- Wears the same dusty cowboy hat like it’s armor.
- Boots look like they’ve kicked more than dirt.
- His wardrobe is no-frills and full of grit, just like him.
The contrast isn’t just aesthetic—it’s thematic. One lives in the boardroom, the other in the oil patch. And you can see the tension right there in how they dress.
Angela Norris: All Print, All Power
If Angela Norris (Ali Larter) walks into a room, you’re going to notice. And you’ll probably clock the leopard print before she even says a word. Her wardrobe choices are loud, proud, and absolutely on-brand.
She’s not shy about her personality, and her fashion follows suit:
- Bold patterns, especially animal prints.
- High-end labels like Versace and McCartney.
- Statement heels and accessories that double as conversation starters—or finishers.
Angela isn’t here to blend in. She’s here to dominate, and her style reflects that. Her look says, “I bite,” but also, “I can afford the best teeth.”
Rebecca Falcone: Sleek, Sharp, and Strategic
Where Angela is fireworks, Rebecca Falcone (Kayla Wallace) is a scalpel—precise, clean, and no-nonsense. Her clothes say: “I’m here for business, not brunch.”
You won’t catch Rebecca in flashy prints. She favors:
- Neutral color palettes—think grey, black, navy.
- Tailored blazers, pencil skirts, structured dresses.
- Understated but top-tier accessories.
Her entire look supports her role in the corporate power structure. She’s polished, professional, and completely unfazed by leopard prints.
Meet the Norris Kids: Casual, Cool, and Rough-Edged
Not to be overshadowed, the younger generation of Norris family also brings their own wardrobe flavor.
Ainsley Norris (Michelle Randolph)
- Casual chic: denim dresses, light tees, and youthful prints.
- Her outfits speak to a character finding her place in the family chaos.
Cooper Norris (Jacob Lofland)
- Think classic oil rig uniform.
- Work shirts, tough jeans, and boots that have seen better days.
Together, they create a more intimate, grounded contrast to the polished world of boardrooms and family politics.
Behind the Seams: The Creative Minds at Work
Costume designer Emma Potter had one mission: keep it authentic. She and her team didn’t just pull clothes off racks. They crafted stories.
- Garments were aged to reflect the brutal Texas sun and rugged terrain.
- Every cowboy hat was selected for how it shaped the wearer’s face and presence.
- The suits? Tailored to fit character arcs, not just shoulders.
In an interview with Yahoo Entertainment, Potter shared that the goal was to stay true to the setting and culture. The result? Wardrobe choices that feel lived-in and real, not costumed.
Reading Between the Seams
At this point, we all know Landman isn’t just throwing characters into nice clothes. The show builds entire subplots with wardrobe decisions.
- Monty’s style? It reflects ambition, control, and maybe a little vanity.
- Tommy’s worn-in boots? They carry miles of hardship and stubborn resilience.
- Angela’s fashion? A neon-lit personality billboard.
- Rebecca’s suits? Commanding, cool, calculated.
Even without a line of dialogue, these characters tell stories through zippers, stitching, and silhouettes.
The Last Stitch
So next time you’re watching Landman, don’t just follow the dialogue. Watch the clothes. Listen to what they’re saying.
Whether it’s a clash of cultures or a bold statement of intent, every outfit adds a layer of drama. Costume design in Landman doesn’t just support the story—it pushes it forward.
And let’s be real: nothing says power move quite like a sharp suit or a stomp of cowboy boots.
