Andrea von Foerster doesn’t just know a good hook — she lets it lasso you straight into the heart of Texas. Landman’s second season cranks up more than just drama; it rocks the country’s airwaves with a curation that throbs with indie-country attitude, grit, and just the right amount of swagger. Remember turning on Yellowstone and hearing Whiskey Myers for the first time? Taylor Sheridan stamped his boots in that tradition, and now Andrea von Foerster strides in, picking up the torch for Landman’s fiery next act. But how does a show about roughneck oil men end up with some of the coolest playlists on TV? Let’s dig into the wildfire country-rock playlist that’s powering Landman’s story — and shining the spotlight on a new posse of breakout artists.
Andrea von Foerster: The Maestro Behind Landman’s Vibe
So, who is Andrea von Foerster anyway, and why does her touch matter so much here? Well, she has a track record strong enough to knock your Stetson off. Von Foerster supervised music on everything from “Yellowstone” and “500 Days of Summer” to “The Path” and “Stumptown.” If you love discovering indie gems while binging shows, odds are, Andrea slipped them under your nose.
For Landman, though, she’s not just curating. She’s building a soundscape that feels rooted in West Texas red dirt, wide skies, and — let’s be honest — a whole lot of loving and losing. She scouts music that kicks up dust emotionally and geographically, sticking to Sheridan’s big philosophy: let the music breathe, don’t over-polish it, and let new voices wail.
Spotlighting Indie Country and Rock — The Sheridan Playbook
Taylor Sheridan notoriously handpicks indie and alternative country acts. He helped turn Whiskey Myers, a Texas band, from local secret into national sensation on Yellowstone. That ripple effect sings straight through to Landman, which, for Season 2, features gripping tracks from some of the buzziest acts out there.
Von Foerster knows the assignment. She leans into hard-edged narratives — whiskey-soaked nights, bone-dry dawns, backroom deals, heartbreaks, hope, and a Texas so big, you swear you can taste the tumbleweeds. The playlist isn’t just a backdrop; it’s a living, steel-stringed character.
Season 2’s Playlist: Pure Sonic Gold
Now for the fun part: the lineup. Season 2 doesn’t just throw a few country clichés at the speakers and call it a day. This soundtrack gets under your skin. Let’s take a look at some fire tracks Andrea wrangled for Landman’s most pivotal moments:
- “La Diabla” by Xavi kicks off the season with tension and grit. Picture heat rippling off a Texas highway while this sultry track sets the tone.
- Treaty Oak Revival’s “No Vacancy” doesn’t hold back. The song’s hustling beat mirrors the energy and desperation of oil field workers bracing for another long haul.
- Whiskey Myers’ “Bad Medicine” delivers at the bar scene. Suddenly, every risk feels a little more dangerous, every reward a little sweeter.
- Ella Langley, with “Make Me Wanna Smoke,” adds some real swagger. Under dim neon, her vocals reflect all the tension bottled up during a shift that just won’t end.
- Josh Meloy’s “1,000 Miles” rides over the West Texas plains, channeling both the longing of wide-open land and the stubborn persistence of the people who work it.
- Shane Smith & The Saints wave a Texas flag with “Lord Bury Me in Texas.” It’s a straight-up love letter to the Lone Star State — echoing true in every dusty frame.
- Turnpike Troubadours’ “Gin, Smoke, Lies”? That one suits Landman perfectly. It sits at the crossroads of truth and deception, mirroring character dilemmas.
- Zach Bryan’s “Something in the Orange” might be the ballad of someone you know: aching, orange sunsets and regrets too big for words.
- Ian Noe’s “If Today Doesn’t Do Me In” brings realness. It’s resignation mixed with defiance, hitting just as characters face hard choices.
- The Red Clay Strays deliver “Sunshine (Western AF Version).” That song pops up as hope breaks through — rare as rain but worth the wait.
- ZZ Top’s “La Grange,” Texas attitude in musical form, spurs on high-octane action scenes. It’s swagger bottled.
- Cody Jinks rocks “Change The Game.” Given the wildcatters’ world, it’s spot-on — ambition and rebellion, rolled together.
- Drayton Farley’s “Blue Collar” goes for the working-class heart. It thrums with the reality of paychecks, sweat, and stubborn dreams.
- Mötley Crüe’s “Girls, Girls, Girls.” Sometimes the oil fields party a little too hard. Cue this glam-rock gem for classic, tongue-in-cheek fun.
- Christopher Cross’s “Sailing”—wait, what? Yes, that’s your moment of introspection. Suddenly, the dust settles and you can breathe again — even if it only lasts a song.
These tracks punctuate Landman’s story arcs. That’s the Andrea von Foerster signature: Every note and lyric tells a piece of the plot, or nudges the mood just where it needs to go.
Artists Getting Their Moment in the Sun
Here’s where things get even cooler. Landman’s curated playlist isn’t just atmospheric — it’s a launchpad. Look back to when Yellowstone hit the airwaves, and you’ll see Whiskey Myers breaking into new territory, picking up legions of fans. Landman’s Season 2 is pulling the same trick.
Take The Red Clay Strays. Before their song landed on Landman, they had a solid regional following. Now? Streaming stats have popped like wildflowers after spring rain, with playlists packed and social media humming. Treaty Oak Revival’s inclusion didn’t just fit; it gave viewers a reason to dig into their back catalog.
It’s not just numbers, either. These placements let artists break out of the “indie” cage. Suddenly, their songs anchor major TV moments — bar brawls, love confessions, moments where time seems to stop. And it happens because Andrea von Foerster picks them with purpose, looking beyond Billboard charts.
Social Buzz and Fan Love
Alright, let’s talk fan fever. If Twitter (or X, depending on who you ask), Reddit threads, and Spotify stats tell us anything, it’s that viewers notice the music. Playlists pop up quicker than a prairie dog with a secret. Searches for “Landman soundtrack Season 2” spike right after every new episode.
Fans tweet their favorite discoveries, and the artists respond, driving vibes back and forth. Some even share stories about how a particular song nailed a key turning point or fueled a workout (or a whiskey-fueled road trip). On TikTok, short clips of “La Diabla” or “No Vacancy” rack up views as fans recreate scenes or just vibe along.
Further proof? Official Landman playlists on Apple Music and Spotify have snagged thousands of followers. Fans queue them up to keep that Texas fire burning, even between episodes.
Don’t Forget the Score: Andrew Lockington’s Sonic Glue
While those handpicked tracks steal the spotlight, there’s more happening behind the scenes. Composer Andrew Lockington handles the original score, threading together each scene with twang and tension. He gives the show its undercurrent — the guitar twangs, pedal steel groans, fiddle whines. His work connects the dots: stormy fights, tearful conversations, and moments out in the oil fields that feel almost spiritual.
Von Foerster’s curation and Lockington’s original score are like two sides of the same rugged Texas coin. Together, they make Landman much more than another cable drama.
How to Soundtrack Your Own Wild West
So, you want to live the Landman life even when the TV’s off? You’re in luck. Thanks to the official playlists, you don’t have to dig through each episode with Shazam at the ready. They’re live on Spotify and Apple Music, updated after every episode drop. That means Yeehaw Nation gets their fix without fuss.
The Sound That Lingers
When Andrea von Foerster sets a tone for Landman, she creates something bigger than a mixtape. She builds a world you can hear and feel — even if you’ve never set foot in Texas or worked the rigs. Her track picks find new voices and throwbacks, rough edges and poetic ballads, all wrapped in Sheridan’s signature storytelling.
So next time a track punches you right in the chest during a Landman episode, tip your hat to Andrea. She knew what she was doing all along — working magic behind the scenes, cementing Texas forever as a state of mind and a sound you can’t shake. If you ask us, that’s what makes TV worth watching (with the volume up).
